Bullion is Nathan Jenkins, an enduring cult figure of electronic music. A producer and songwriter quietly to be found connecting artists, genre and UK subculture. His credits range from Carly Rae Jepsen, Ben Howard, Nilüfer Yanya and Avalon Emerson’s breakout album & The Charm to records for Westerman and Joviale. Bullion’s celebrated solo releases, meanwhile, have run parallel on Young, The Trilogy Tapes, Jagjaguwar and his own DEEK Recordings. It’s a creative red-thread Bullion ties together on his surprise new album, Affection – a warm, occasionally off-kilter and beautifully realised pop record that’s bold enough to step from behind-the-scenes and show affection in public.
Affection started life upon Nathan’s move back to London from Lisbon, where he relocated in 2018. Back then, the comfort of the crowd suited him: self-confessedly passive and faltering by nature, the opportunity to exist somewhere without any personal history proved liberating. Returning home, Nathan increasingly found himself reflecting on his place in the world, seeking affection in place of cynicism.
In blurring the observational with the introspective, Affection’s avant-pop touch abandons categorisation. The albums lyrics are as unguarded and devotional as they are inquisitive of alternative ways of being, signing off with ‘being still is hard to do’. Nathan has mastered his sound, but life – in its expectations, contradictions, impulses and desires – remains impossible to control.
